Category Archives: writing

Throwback Thursday: What are Coles Notes?

coles-notes

There’s a scene in The Revenant where Father Paul discusses a case with Toronto’s coroner. So far, two bodies have been brought into the morgue in a state of decomposition indicating they’d died more than a week ago. In both cases, there are witnesses claiming they were alive only minutes or hours ago.  The discussion goes something like this:

“What’s this?” Paul asked.
“Autopsy file,” the coroner said.
“They didn’t teach Science at the Seminary. How’s about you give me the Coles Notes’ version?”

Coles Notes are the printed version of web sites like Spark Notes or Grade Saver. In the days before the Internet, we bought Coles Notes in Canada and Cliffs Notes in the U.S., on everything from literature to writing resumes. The author for the books is “The Coles Editorial Board” which was rumoured to be university students. Like the web pages of today that serve the same function, they were not infallible. While studying Richard III before teaching it, I found a discrepancy between their interpretation and mine, and no matter how hard I tried, I could not see how their interpretation was valid.

Though there are no Coles Notes for The Revenant, a study guide is available upon request, which would make an excellent tool for a teacher, student, or book club wishing to study the novel. Let me know if you’d like your PDF study guide by leaving me a note in the comments below or emailing me at info @ eliseabram . com.

Kick Off Party for THE REVENANT Blog Tour!


going on tour

A number of really amazing bloggers and reviewers have opened up their blog sites so I can take The Revenant on tour this month. Check my itinerary page for stops and updates.

Remember, The Revenant is now available for purchase in hard copy on the Black Rose Writing (BRW)page, at Amazon and Barnes and Noble, both in paperback and as an eBook.

Once more, thanks to Reagan Rothe at BRW for helping to make my dream of being published a reality. Also thank you (again) to Dave King, Design Lead at BRW for his amazing cover design and endless patience through the revision process.

Even though we’re taught not to judge a book by its cover, most readers will tell you cover art is key. I’ve had my front cover posted on my page for The Revenant for about a week now, but here is the complete cover:

Click to enlarge

Click to enlarge

Thank you to Dave King for his work on the cover art.

On with the festivities…

giveaway

Use the form on my itinerary page to enter into a Rafflecopter draw for a chance to win one (1) of three (3) eCopies of The Revenant. The giveaway will run for the entire month of August. All you have to do for your chance to win is follow me on Twitter via the Rafflecopter form.

Also available as a giveaway, PDFs of The Revenant  study guide. Please request these via email at info @ eliseabram . com

 

fan page party wednesdayJoin me on Facebook for a Fan Party meet and greet every Wednesday in the month of August. Like people’s pages and get your page(s) liked as well.

throwback thursdayI’m considerably older than your sterotypical YA reader. My  mind might work a bit differently than them, too. On Thursdays I’ll be writing about how that particular challenge has effected me as an author.

 

new follow back friday

Join the party-hop as we move from Facebook to Twitter. I pledge to follow back everyone who follows me on Twitter on every Friday in the month of August @eliseabram

 

Announcing the completion of “I Was, Am, Will Be Alice”!

Graphic by Parker Knight, "Family 1353" under Creative Commons

Graphic by Parker Knight, “Family 1353” under Creative Commons

Announcing…

Hot on the heels of The Revenant‘s release I am thrilled to announce the completion of my next YA novel, I Was, Am Will Be Alice.

After narrowly escaping death in a school shooting, 8 year old Alice Carroll realizes she can time travel when under extreme stress, a situation she is determined to learn to control in order to go back to that day and save the lives of her teacher and classmates and discover the identity of the woman who sacrificed her life so Alice could live.

My Inspiration

I began writing Alice when, while shopping for agents and publishers for The Revenant, I found a call for clients for a new agent on Chuck Sambuchino’s excellent “Writer’s Digest” blog. This particular agent said she would love to read a young adult version of Audrey Niffenegger’s The Time Traveler’s Wife (TTW). I absolutely love TTW, and adopted her request as a personal challenge. I began with a similar premise: what if someone, a young girl, discovered she had the ability to time travel? In Niffenegger’s novel, the main character, Henry, keeps returning to his first episode of time travel, when he was in a car accident with his mother. Henry survived because he time traveled out of the car avoiding the crash which killed his mother. In my novel, Alice’s defining moment is being caught in a school shooting in grade three in which her favourite teacher killed. There is a romance and an episode with frostbite, too, but that’s where the similarities end.

The name Alice Carroll comes from Lewis Carroll’s Alice in Wonderland and Through the Looking Glass. I appropriated that name for my character early in the writing because the more I wrote, the weirder the character’s predicament until it was almost like she’d entered a bizarre world where nothing made sense to her any more. Why did she survive when others perished? Why did she time travel? What kind of future could she possibly make for herself? Would she ever learn to control it? Why did the shooting happen? Could she find a way to save her teacher? These questions, and more, confuse my Alice, much like Wonderland confused Carroll’s. To drive the parallel home, I borrowed other names from Wonderland to draw further connections.

Though a mouthful, the title for the book comes from something Henry says in TTW:

I love. I have loved. I will love.

I liked the juxtaposition of the different tenses and adapted this for my novel. Late in the writing I decided to use the title, I Was, Am, Will Be Alice, as subtitles and divide the book into sections. I Was Alice describes Alice of the past, when she discovers she can time travel and is traumatized by it. I Am Alice describes Alice of the present, when she realizes she can’t continue randomly traveling through time for the rest of her life and she decides to do something about it. I Will Be Alice describes Alice of the future, after her life comes full circle and she returns back to the day of the shooting and learns answers to some of the questions that have plagued her for most of her life.

Looking for Support

I am reaching out to the reading and writing community to look for “beta readers” and help printing and publicizing my YA sci-fi time-travel romance novel when the time comes.

If you would like to volunteer as a beta reader–finding errors in spelling, grammar, punctuation and consistency in story and possibly writing a review further into the process–please contact me at info @ eliseabram.com

[Tweet “Attention beta readers and reviewers – request your copy of I AM, WAS, WILL BE ALICE info@eliseabram.com”]

If you would like to donate to support my project, you may do so by visiting my PubSlush page at eliseabram.pubslush.com. I am giving away an eBook to all $20 donors and a hard copy, autographed, to all $50 donors (please note an additional $10 is required for international shipping outside of Canada). If you donate over $75, I will also throw in a free study guide in full colour, available as a PDF and/or printed copy sent along with your novel.

[Tweet “Support the arts – help me publish and publicise I AM, WAS, WILL BE ALICE eliseabram.pubslush.com”]

All donors will receive a mention in the acknowledgements section of the final, printed novel (eBook and hard copy).

Author Publicity Pack is a Must Have Companion for Authors

author-publicity-pack-cover

Author Publicity Pack by Shelley Hitz and Heather Hart is an excellent resource for self- and indie-published authors to help find their way in the maze of online publicity resources. Though I’ve been at the online book publicity game for about six months now and have taken online and face-to-face courses and read incessantly on the topic, I still learned from Hitz and Hart’s book.

Rather than a how-to, Author Publicity Pack is more of a collection of sources for authors to investigate in their quest to market their books online. The writing is easy to understand and detailed and the websites listed amount to a goldmine of ideas when taken collectively.

Though it is in need of a minor clean-up by the authors (quite a few of the sites listed are no longer active), Author Publicity Pack is a valuable resource for authors, whether just starting out, or mucking through the mire that is online marketing for some time now.

Note: I was gifted a free copy of this book in exchange for an honest review. 

Announcing the release of THE REVENANT!

MP900384729Welcome to the party!

 

The wait is finally over! The Revenant is now available for purchase in hard copy on the Black Rose Writing (BRW)page, and online and in bookstores by the end of the month. I want to thank Reagan Rothe at BRW for helping to make my dream of being published a reality. Also thank you to Dave King, Design Lead at BRW for his amazing cover design and endless patience through the revision process.


Even though we’re taught not to judge a book by its cover, most readers will tell you cover art is key. I’ve had my front cover posted on my page for The Revenant for about a week now, but here is the complete cover:

Click to enlarge

Click to enlarge

Thank you to Dave King for his work on the cover art.

On with the festivities…

Here’s what the party agenda looks like so far. Keep checking back as more activities are added over the next two months!

fan page party thursday

 

Join me on Facebook for a Fan Party meet and greet on my release date, this Thursday, July 10, 2014. Like people’s pages and get your page(s) liked as well.

new follow back friday

 

Join the party-hop as we move from Facebook to Twitter. I pledge to follow back everyone who follows me on Twitter on Friday, July 11, 2014 @eliseabram

going on tour

 

A number of really amazing bloggers and reviewers have opened up their blog sites so I can take The Revenant on tour in the month of August. Check back on my itinerary page for stops and updates as the tour takes shape.

giveaway

 

Use the form on my itinerary page to enter into a Rafflecopter draw for a chance to win one (1) of three (3) eCopies of The Revenant. The giveaway will run for the entire month of August. All you have to do for your chance to win is follow me on Twitter via the Rafflecopter form.

Also available as a giveaway, PDFs of The Revenant bookmarks and a study guide. Please request these via email at info @ eliseabram . com

A. Terry’s How-to Book for Blog Tours is a Recipe for Success!

promote-book-blog-tour 

Just when I think I’m learning what it means to promote and publicize a book I’ve published, I’m thrown for a loop. I hadn’t heard about blog tours until recently. I’d always assumed that when the time came I’d find an affordable company to do it for me. Then I read How to Promote Your Book With A Blog Tour by A. Terry and I wondered why I shouldn’t be trying to do this on my own.

Terry’s How to Promote Your Book With A Blog Tour is an easy to follow step-by-step guide to planning, booking, tracking and wrapping up your blog tour. The book suggests materials you might collect prior to this endeavour, how to contact prospective bloggers, and alternatives to simple requests for reviews. Terry provides links to important sites and online exemplars. There is even a template for querying prospective blog tour hopefuls that I’ve used and find it works quite well, with a little modification.

I’m still in the process of organizing my tour.  At present, after approximately a week of sending out queries, I have four stops on my tour booked. Whether or not it works out will not be for lack of trying on my part.

Bottom line? A. Terry’s How to Promote Your Book With A Blog Tour is a recipe for success, sure to help ambitious, resourceful and persistent authors rise to the occasion of going it alone when it comes to planning and executing their book blog tours.

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My Writing Process: Catch as catch can!

Hello everyone! Welcome to my stop on the Writing Process Blog Hop! I was introduced to this blog hop by Lori L. Schafer:

Lori Schafer is a writer of serious prose and humorous erotica and romance. More than thirty of her short stories, flash fiction, and essays have appeared in a variety of print and online publications, and her first novel, a work of women’s fiction entitled My Life with Michael: A Story of Sex and Beer for the Middle-Aged, will be released in 2015. Also forthcoming in 2015 is her second novel Just the Three of Us: An Erotic Romantic Comedy for the Commitment-Challenged. On the more serious side, her memoir, On Hearing of My Mother’s Death Six Years After It Happened: A Daughter’s Memoir of Mental Illness, will be published in October 2014. When she isn’t writing (which isn’t often), Lori enjoys playing hockey, attending beer festivals, and spending long afternoons reading at the beach.

Website: http://lorilschafer.com/

Like my colleagues also participating in this blog hop, I’ve been asked to answer four questions about my writing and my writing process. Don’t forget to spend some time getting acquainted with authors Rosemary Whittaker, Val Conrad and Jolee Wilson whose bios and links are at the end of this post. Rosemary, Val and Jolee will be hosting the next stop on the blog hop next week.

1. What am I working on?

About a year ago I read a Writer’s Digest featured agent who said she’d be interested in reading a YA Time Traveler’s Wife. I loved that novel, and took it as a personal challenge. What I wound up with was I Am, Was, Will Be Alice something part YA Time Traveler’s Wife, part Alice in Wonderland, part YA romance (yuck!), and all adventure. I am participating in July’s Camp Nanowrimo to give me the kick in the pants to finally get Alice’s story told.

My first YA novel, The Revenant,  is to be released on 10 July 14 and so a good part of my summer will be spent on publicizing and selling that.

I am also working on an adult time travel love triangle novel called Chicken or Egg: A Love Story, not to mention the next instalment in the Molly McBride series, entitled The Next Coming Race, involving evidence of aliens having visited Earth in antiquity in the historic record.

This is where I usually work:

My Writing Space

My writing space.

2. How does my work differ from others of its genre?

I suppose you could call my primary genre science fiction, but when I think of sci-fi I think of alien race wars, lots of tech, space ships, and robots. I call my brand of sci-fi feminine speculative fiction, a made up genre composed of a sort of light-sci-fi, no war (which is stereotypically masculine), modern day tech (also stereotypically masculine), but maybe with a few tweaks. If there is time travel involved, it is in the near future, less than 100 years and not that far removed from the society of today.

[Tweet “I call my brand of sci-fi feminine speculative fiction. That does not mean it only appeals to women.”]

Calling my brand of sci-fi “feminine” does not mean it is chick-lit or only appeals to women. Rather, it is sci-fi of the mind. It takes the world of today, proposes one change, and runs with it to see the effect it may have on society. Phase Shift explores what might happen if the ability to travel to alternate worlds were discovered. The Revenant (not unlike “X-Men” or “Heroes”) supposes there are people among us who have special abilities which some might use for good and others evil. Alice proposes a similar scenario – that people might one day evolve the ability to travel through time. Ditto Cat and Mouse, only this time, the ability for time travel is via technology and not genetic. 

I make small tweaks to people, beliefs and tech and sit back and watch what happens.

3. Why do I write what I do?

I consume popular culture like candy. I also question everything I consume. Star Trek was my first introduction into the world of sci-fi, introduced to me by my father at a young age and the ideas stuck. I grew up telling myself stories before bedtime between lights out and falling asleep. At some point I started writing them down. 

[Tweet “I consume popular culture like candy. I also question everything I consume.”]

It seems like I don’t choose what I write, but rather, it chooses me. Case in point is The Revenant, which grew from a desire to write the penultimate vampire story. The storyline wasn’t gelling so I decided to do some research and found a link on Wikipedia for revenants. The idea blossomed from there. You could almost say Zulu found me and started telling me his story. I really had no choice but to write it down.

4. How does your writing process work?

My first novel, The Guardian, took almost ten years to imagine and another ten years to write. This is partly because I was bogged down with the responsibility of being a new teacher, but also because I didn’t like the way I wrote and struggled over every word. When I took a page from Nanowrimo and just wrote to make up the word count and worry about the editing later, writing became more of a pleasure than a chore. The agony was still there in the revisions and re-writes, but at least the story had already been told.

[Tweet “Accepting you aren’t a real writer if you don’t write every day builds barriers to success.”]

Many sources you read will tell you that writers write every day. I’m here to tell you that’s not necessarily the case. Whole months go by where I don’t add to my current work in progress at all as far as word count goes, but I am always thinking about my work in progress and adding to the story. Taking frequent breaks like that helps the thoughts to percolate so that when I do finally sit to write, I know exactly what I want to say. Accepting that you aren’t a real writer if you don’t write every day is a good way to build barriers to your success. Life happens, especially if you are a student, or are juggling a full-time job with a family. Work on your story every day; write whenever you can.

[Tweet “Work on your story every day; write whenever you can.”]

Don’t forget to spend some time getting acquainted with authors Rosemary Whittaker and Val Conrad whose bios and links are at the end of this post. Rosemary and Val will be hosting the next stop on the blog hop next week.

[Tweet “Writing process blog hop! Get acquainted with authors @LoriLSchafer, @DanzaCRose, Val Conrad and @JoleeWilson!”]

Rosemary Whittaker:

Rosemary is a British born author. She is an English teacher by profession. Since leaving university she has lived and worked in the United States, New Zealand, Australia and twice in Denmark. Her husband works in biodiversity informatics (cataloguing all living species on earth) and this has entailed many moves. They have five children so the moves have been extra challenging.

Her real love has always been writing and she has written several novels, variously set in the countries in which she has lived. She also writes for children. All her novels are available on http://amzn.to/UXJUJp and http://amzn.to/1iUadT. Her recent novels, a set of four, all take the theme of British women who move, by choice or circumstance, to one of the four countries mentioned above. The Cinnamon Snail is set in Denmark, where Rosemary currently lives. [http://bit.ly/1puSPwJ]

Website: rosemarywhittaker.wordpress.com

Val Conrad:

Val Conrad’s life is upside-down to most – her nights are spent working as a nurse in intensive care, leaving her days and more often her nights off to writing.  Her series – Blood of Like Souls, Tears of Like Souls, Promises of Like Souls, and Secrets of Like Souls (Black Rose Writing) is available at Amazon in both paperback and e-book formats.  Much of the skeleton of these stories comes from living in the geographical settings and a career in medicine spanning decades.  She steals moments to write any time, but odd places and crowds of people don’t deter her.  She’s currently working on a new book about how cellular phones are being used to catch criminals.

Website: www.valconrad.com

Jolee Wilson:

Jolee Wilson lives in West Texas with her husband and three children. She has been writing as a hobby since age seven and decided to turn it into a career after the completion of her first novel, Seven Days Normal. With a passion to help hurting relationships, Jolee uses fiction to impart her own lessons in love.

Website: http://www.the-nkwell.blogspot.ca/

How NOT to make a book trailer

For years I thought that if I were ever in a position to need a book trailer I’d be independently wealthy and could hire a professional to do it for me.

Barring that, I’d use Flash. I have a basic working knowledge of Flash. I’ve had to teach it to Travel and Tourism students for use in their end of semester presentations, and I’ve had occasion to teach entire semesters of Flash Action Script through eLearning courses. I never considered that when the time finally came, the proliferation of operating systems and browsers that do not support Flash would make that option all but obsolete.

The only other software I had was Windows Movie Maker. My kid made a movie with it while still in grade school–how hard could it be? Little did I know, the software would be the least of my worries.

Here are my three pearls of wisdom of what NOT to do, should you ever consider to go it alone when making a book trailer.

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Pearl #1 – use royalty-free but not for commercial use graphics

I never considered that what I was embarking on was a commercial endeavour. All I wanted to do was get the word out about my book release; I wasn’t ready to start selling books yet. Nevertheless, all of those people I alerted to the release of my book were potential buyers which ultimately made my project a commercial one.

Back to the drawing board.

I eventually stumbled upon Flickr.com (make sure you click “Commercial use allowed” on the licence tab) and foter.com (make sure you click “Commercial Use” at the top of the page after doing a search).  Keep in mind you must still check the licence to ensure you have fulfilled your end of the use agreement. Most of the pictures will say to link back to the Creative Commons agreement as well as give the photographer credit, which you can do in the rolling credits at the end of your trailer.

For music, try FreeMusicArchive.org.

Pearl #2 – forget to record your titles, artists and URLs as you go

As someone who just wrote a post entitled “Just Cite the Damn Cite!” I don’t know what I was thinking. Too absorbed with ensuring I wasn’t breaking copyright to realize that if I didn’t have the credits right I was breaking copyright anyway.

Open a NotePad file (or create a file on similar software or go old school and do it on paper) and record the title of each photo, the artist, and the URL (Flickr and foter seem to want a link to the author on their site and not directly to the author) as well as a description so you’re sure you attribute the correct photo to the correct photographer. List your photos in order of appearance in the credits (and say you are doing this in your credits).

Pearl #3 – use Windows Movie Maker

I’m not sure if this should be a “pearl” or not, but like all Windows products, Movie Maker has its ups and downs.

On the up side is its ease of use. Movie Maker has the same drag and drop functionality of any other Windows product making it sort of intuitive to learn.

On the down side is just about everything else. Though the learning curve for any new app is steep, it seemed insurmountable at times for Movie Maker. Problems included how to coordinate the video with the title overlay (video should come first but since mine was a book, I started with the text), getting “slides” close enough to eliminate pauses between them (which made bang-on coordination with the audio file near impossible) and having to convert my MP3 file to a WAV file before I could even import it (I used Zamzar.com). I also could not holistically change the font, but had to do it piecemeal, one “slide” at a time, which was aggravating because it was super time consuming. Also, Movie Maker only creates WMV files, which meant I needed to do yet another conversion to the less proprietary MP4. And I couldn’t change the background of the file so my  background graphic is a different colour than the surrounding “stage” (which continues to miff me to no end).

In the end I have a passable book trailer for my new release (on 10 July 14), The Revenant, that I can display with pride. I pass this on to you now because forewarned is forearmed. You  can create a sort of professional-looking book trailer on the cheap (FREE!) with a bit of time invested (weekends for a month) and a lot of patience.

[Tweet “Making a book trailer? You’ve gotta read this!”]

Did you find this article useful? Still have questions about creating a book trailer?  Let me know in the comments below.

 

Just cite the damn site!

file0001149448379

To use someone else’s words without citing the person who wrote them, is illegal and subject to prosecution.

What does citing references mean?

According to Dictionary.com, to cite means to quote a passage from an authority, or to recall something. When we write, we recall who owns the copyright of the information we are quoting.

We live in a world where everything we create is copyrighted the moment it is saved to a device. According to Google, anything that is a work or invention of creativity, including a manuscript, is considered intellectual property, that which may be copyrighted, patented or trademarked. To use someone else’s words without giving him or her credit for positioning those exact same words in that exact order is theft of intellectual property, also known as plagiarism. In other words, to use someone else’s words without citing the person who wrote them, is illegal and subject to prosecution.

[Tweet “to use someone else’s words without citing the person who wrote them is illegal.”]

How do I protect myself from plagiarizing?

The answer is simple: cite, cite, cite!

How do I cite my references?

Citing references is a two-step process.

For step one, a note must be made at the exact place where you use someone else’s words. This is usually called an “in-text” citation, as it places the author’s name and other information (depending on whether you are using APA or MLA notation) in parenthesis (brackets) inside your text.

Step two is to include the complete reference for the original source material in a works cited list. Although the exact information and formatting will vary depending on the style you use, the basic information will include the author’s name, year and place of publication, and URL or publisher, depending on whether the source is print or digital in nature. Works cited are listed in alphabetical order, preferably by author’s last name.

Do I really need to use in-text citations if I have a works cited page?

The answer to this question is an emphatic yes!

Imagine a report card with a list of marks and no reference to teacher or course. This is kind of like a works cited list without in-text citations. Without indicating which information came from which source, a works cited list is useless. The idea is that you, as the author, uses in-text citations to show where a quotation comes from. If I’m interested in reading further, I know to go to the works cited list to find more information about the publication so I can find the same article and do more research. Without the in-text citation, I am left with a list of sources and no indication of which information came from where.

How often do I need to include in-text citations?

Any time you paraphrase, summarize, or directly quote anything that you didn’t write, you must cite it using in-text citations. This could mean having 1 or more citations for every sentence in your composition, depending on the type and requirements of the manuscript.

[Tweet “Any time you paraphrase, summarize,or directly quote anything that you didn’t write, you must cite!”]

It is always better to over-cite than to under-cite and be accused of plagiarism. I don’t know of any teacher who has ever complained because there were too many in-text citations in a term paper.

A final word

When it comes to citing sources, it is best to subscribe to the CYA school of thought–cover your ass! Cite everything you learn as a result of your research. Even if you think you might already know about the topic, cite one of your sources.

Give credit where credit is due; don’t forget to cite your sites.

What is a Story Cartel?

dinghy

…when it’s done, we’d connect our dinghies in an everlasting virtual cartel…

I’ve just entered Joe Bunting’s contest to win one of three memberships in his next Story Cartel group.

Here is my entry:

The writer’s group I belonged to disbanded a number of years ago. Since then, I’ve been afloat without a paddle in a small rubber dinghy with room enough for one. There is a teeny tiny hole in the bottom of the boat. Most of the time I am able to plug it with my finger and forge on with my writing. Sometimes the waters of self-doubt seep in and no matter how quickly I paddle, I cannot stave the flow. Belonging to a writer’s cartel would help connect me to a group of passionate, like-minded individuals. We would listen to each other’s tales and offer support, advice, and encouragement, patching each others’ dinghies. We would teach each other what we’ve learned about the world of publishing, make connections with fellow cartelistas, and build our readership. Then, when it’s done, we’d connect our dinghies in an everlasting virtual cartel and sail off to apply what we’ve learned, posting the occasional tweet about a fellow cartelista that reads “I knew him or her when.”

Wish me luck!