Tag Archives: YA

Throwback Thursday: What are Coles Notes?

coles-notes

There’s a scene in The Revenant where Father Paul discusses a case with Toronto’s coroner. So far, two bodies have been brought into the morgue in a state of decomposition indicating they’d died more than a week ago. In both cases, there are witnesses claiming they were alive only minutes or hours ago.  The discussion goes something like this:

“What’s this?” Paul asked.
“Autopsy file,” the coroner said.
“They didn’t teach Science at the Seminary. How’s about you give me the Coles Notes’ version?”

Coles Notes are the printed version of web sites like Spark Notes or Grade Saver. In the days before the Internet, we bought Coles Notes in Canada and Cliffs Notes in the U.S., on everything from literature to writing resumes. The author for the books is “The Coles Editorial Board” which was rumoured to be university students. Like the web pages of today that serve the same function, they were not infallible. While studying Richard III before teaching it, I found a discrepancy between their interpretation and mine, and no matter how hard I tried, I could not see how their interpretation was valid.

Though there are no Coles Notes for The Revenant, a study guide is available upon request, which would make an excellent tool for a teacher, student, or book club wishing to study the novel. Let me know if you’d like your PDF study guide by leaving me a note in the comments below or emailing me at info @ eliseabram . com.

Kick Off Party for THE REVENANT Blog Tour!


going on tour

A number of really amazing bloggers and reviewers have opened up their blog sites so I can take The Revenant on tour this month. Check my itinerary page for stops and updates.

Remember, The Revenant is now available for purchase in hard copy on the Black Rose Writing (BRW)page, at Amazon and Barnes and Noble, both in paperback and as an eBook.

Once more, thanks to Reagan Rothe at BRW for helping to make my dream of being published a reality. Also thank you (again) to Dave King, Design Lead at BRW for his amazing cover design and endless patience through the revision process.

Even though we’re taught not to judge a book by its cover, most readers will tell you cover art is key. I’ve had my front cover posted on my page for The Revenant for about a week now, but here is the complete cover:

Click to enlarge

Click to enlarge

Thank you to Dave King for his work on the cover art.

On with the festivities…

giveaway

Use the form on my itinerary page to enter into a Rafflecopter draw for a chance to win one (1) of three (3) eCopies of The Revenant. The giveaway will run for the entire month of August. All you have to do for your chance to win is follow me on Twitter via the Rafflecopter form.

Also available as a giveaway, PDFs of The Revenant  study guide. Please request these via email at info @ eliseabram . com

 

fan page party wednesdayJoin me on Facebook for a Fan Party meet and greet every Wednesday in the month of August. Like people’s pages and get your page(s) liked as well.

throwback thursdayI’m considerably older than your sterotypical YA reader. My  mind might work a bit differently than them, too. On Thursdays I’ll be writing about how that particular challenge has effected me as an author.

 

new follow back friday

Join the party-hop as we move from Facebook to Twitter. I pledge to follow back everyone who follows me on Twitter on every Friday in the month of August @eliseabram

 

Announcing the completion of “I Was, Am, Will Be Alice”!

Graphic by Parker Knight, "Family 1353" under Creative Commons

Graphic by Parker Knight, “Family 1353” under Creative Commons

Announcing…

Hot on the heels of The Revenant‘s release I am thrilled to announce the completion of my next YA novel, I Was, Am Will Be Alice.

After narrowly escaping death in a school shooting, 8 year old Alice Carroll realizes she can time travel when under extreme stress, a situation she is determined to learn to control in order to go back to that day and save the lives of her teacher and classmates and discover the identity of the woman who sacrificed her life so Alice could live.

My Inspiration

I began writing Alice when, while shopping for agents and publishers for The Revenant, I found a call for clients for a new agent on Chuck Sambuchino’s excellent “Writer’s Digest” blog. This particular agent said she would love to read a young adult version of Audrey Niffenegger’s The Time Traveler’s Wife (TTW). I absolutely love TTW, and adopted her request as a personal challenge. I began with a similar premise: what if someone, a young girl, discovered she had the ability to time travel? In Niffenegger’s novel, the main character, Henry, keeps returning to his first episode of time travel, when he was in a car accident with his mother. Henry survived because he time traveled out of the car avoiding the crash which killed his mother. In my novel, Alice’s defining moment is being caught in a school shooting in grade three in which her favourite teacher killed. There is a romance and an episode with frostbite, too, but that’s where the similarities end.

The name Alice Carroll comes from Lewis Carroll’s Alice in Wonderland and Through the Looking Glass. I appropriated that name for my character early in the writing because the more I wrote, the weirder the character’s predicament until it was almost like she’d entered a bizarre world where nothing made sense to her any more. Why did she survive when others perished? Why did she time travel? What kind of future could she possibly make for herself? Would she ever learn to control it? Why did the shooting happen? Could she find a way to save her teacher? These questions, and more, confuse my Alice, much like Wonderland confused Carroll’s. To drive the parallel home, I borrowed other names from Wonderland to draw further connections.

Though a mouthful, the title for the book comes from something Henry says in TTW:

I love. I have loved. I will love.

I liked the juxtaposition of the different tenses and adapted this for my novel. Late in the writing I decided to use the title, I Was, Am, Will Be Alice, as subtitles and divide the book into sections. I Was Alice describes Alice of the past, when she discovers she can time travel and is traumatized by it. I Am Alice describes Alice of the present, when she realizes she can’t continue randomly traveling through time for the rest of her life and she decides to do something about it. I Will Be Alice describes Alice of the future, after her life comes full circle and she returns back to the day of the shooting and learns answers to some of the questions that have plagued her for most of her life.

Looking for Support

I am reaching out to the reading and writing community to look for “beta readers” and help printing and publicizing my YA sci-fi time-travel romance novel when the time comes.

If you would like to volunteer as a beta reader–finding errors in spelling, grammar, punctuation and consistency in story and possibly writing a review further into the process–please contact me at info @ eliseabram.com

[Tweet “Attention beta readers and reviewers – request your copy of I AM, WAS, WILL BE ALICE info@eliseabram.com”]

If you would like to donate to support my project, you may do so by visiting my PubSlush page at eliseabram.pubslush.com. I am giving away an eBook to all $20 donors and a hard copy, autographed, to all $50 donors (please note an additional $10 is required for international shipping outside of Canada). If you donate over $75, I will also throw in a free study guide in full colour, available as a PDF and/or printed copy sent along with your novel.

[Tweet “Support the arts – help me publish and publicise I AM, WAS, WILL BE ALICE eliseabram.pubslush.com”]

All donors will receive a mention in the acknowledgements section of the final, printed novel (eBook and hard copy).

Announcing the release of THE REVENANT!

MP900384729Welcome to the party!

 

The wait is finally over! The Revenant is now available for purchase in hard copy on the Black Rose Writing (BRW)page, and online and in bookstores by the end of the month. I want to thank Reagan Rothe at BRW for helping to make my dream of being published a reality. Also thank you to Dave King, Design Lead at BRW for his amazing cover design and endless patience through the revision process.


Even though we’re taught not to judge a book by its cover, most readers will tell you cover art is key. I’ve had my front cover posted on my page for The Revenant for about a week now, but here is the complete cover:

Click to enlarge

Click to enlarge

Thank you to Dave King for his work on the cover art.

On with the festivities…

Here’s what the party agenda looks like so far. Keep checking back as more activities are added over the next two months!

fan page party thursday

 

Join me on Facebook for a Fan Party meet and greet on my release date, this Thursday, July 10, 2014. Like people’s pages and get your page(s) liked as well.

new follow back friday

 

Join the party-hop as we move from Facebook to Twitter. I pledge to follow back everyone who follows me on Twitter on Friday, July 11, 2014 @eliseabram

going on tour

 

A number of really amazing bloggers and reviewers have opened up their blog sites so I can take The Revenant on tour in the month of August. Check back on my itinerary page for stops and updates as the tour takes shape.

giveaway

 

Use the form on my itinerary page to enter into a Rafflecopter draw for a chance to win one (1) of three (3) eCopies of The Revenant. The giveaway will run for the entire month of August. All you have to do for your chance to win is follow me on Twitter via the Rafflecopter form.

Also available as a giveaway, PDFs of The Revenant bookmarks and a study guide. Please request these via email at info @ eliseabram . com

Overcoming Writer’s Doubt

This blog post represents my entry in the “Overcoming Writer’s Doubt” Writing Contest held by The Positive Writer.

[Tweet “Read Elise Abram’s entry in the “Overcoming Writer’s Doubt” #Writing #Contest.”]

“I wish I could write like that,” I said to my husband. We were in the car heading home from the theatre having just seen “The Mummy Returns.”

“You can,” he told me, and for the first time, I shared the story that had been tumbling around in my head for the twenty or so years prior.

The rest of that summer was spent in the eye of a perfect storm of creative fury, spurred on by my love for science fiction, the abundant resources of the Internet, and the fact that I had been tasked to teach Writer’s Craft that coming September. As I researched the finer points of structuring plot, character, imagery and theme while preparing my lessons, the trickle of words I’d only ever been able to muster soon became a deluge. In my dreams I saw my novel on the shelves of bookstores and on bestsellers’ lists worldwide.

Nearly ten years passed before my masterpiece was complete and I was ready to shop for the perfect venue for my book. Back then, few publishers and agents were accepting submissions via email. Printing out my novel and mailing it was cumbersome, not to mention expensive. I soon succumbed to doubt and gave up on my writing career before it had even begun.

Then the next idea took root.

I ignored it at first, reluctant to take another ride on the writing roller coaster. Before long, the incessant chatter of the characters could not be silenced by anything other than my transcribing their story.

[Tweet “I ignored the idea, reluctant to take another ride on the #writing roller coaster.”]

Five years later Phase Shift was finished. A few more publishers and agents were accepting unsolicited manuscripts than before, but not many. After a year of fighting the good fight, and another twenty or so rejections added to my pile, I realized my submissions had amounted to nothing more than expensive lottery tickets. Actually, I’d convinced myself, I probably had a better chance of winning the lottery than getting published.

I took time to lick my wounds, wallow in writer’s doubt and decide if the writing life truly was for me.

I was teaching grade ten English at the time. Over a period of about three years, I’d listened to near a thousand student presentations on young adult novels. Every semester my awe at the torture YA novelists foisted on their characters grew; global apocalypse, false accusation, abuse, addiction, pregnancy, murder–no topic was sacred.

In my discussions with them, the librarians at my school encouraged me to write YA. At first, I had no clue where to begin. I’d always wanted to write a vampire story, I thought, so I began where I’d begun almost every project I’d ever tackled–doing research. It was during the  research phase I discovered revenants, kissing cousins to vampires in traditional lore. I soon realized I’d stumbled upon an untilled field of possibility. As little was known about revenants, I could shape them into almost anything I wanted.

Coincidentally, Nanowrimo was not far off that year. If I could force myself to stick to the regimen the contest demanded, I could bang out most if not all of my first draft in as little as thirty days. In spite of the demands of my job and my family, I “won” Nanowrimo and spent most of the next six months finishing and polishing my manuscript.

I felt good. I’d written my best work yet. I was going to be published by a traditional publishing house, but not before a knock-down drag-out bidding war between publishing bigwigs for the rights to my book. I was going to be the next Stephanie Meyer! The next J.K. Rowling! Bigger!

And then I began to send out queries.

When the responses started to roll in, elation was replaced with the first buds of writer’s doubt.

[Tweet “When the responses started to roll in, elation was replaced with the first buds of #writer’s doubt.”]

“Your book doesn’t seem right for us.” I could deal with this kind of rejection;  the problem wasn’t me, it was them. I soldiered on, but with each successive rejection I started to realize maybe the problem was me. What if It was worse than me? What if it was my writing? I could always change a plot or write a new story, but if my writing was the problem…?

With each new rejection it became harder to navigate the waters of the river of writer’s doubt without slipping under.

I decided to focus on my next novel (which I tentatively titled I Am, Was, Will Be Alice), allowing The Revenant to stew on the back burner for a while. I liked my Alice novel. I liked The Revenant, too, but if it wasn’t meant to be then I’d have to write another magnum opus and try again. I believed in The Revenant, even if no one else did. I took a course on how to market a book, resolving to self-publish and run with it myself if no one had picked it up by the summer.

Then the gloriously unthinkable happened: one of the publishers I’d contacted was interested in publishing my book. A week after I’d heard the news I’d signed the contract. The stormy waters of self-doubt settled, the clouds parted, the sun came out. I might have heard harp music and choral angels sing.

I was going to be published!

I’m not going to lie and say I’ve managed to permanently banish writer’s doubt from my life. As long as my success hinges on how well others receive my work those thin tendrils of writer’s doubt, the ones that threaten to take root and sprout buds will always be there.

Let’s just say I’ve managed to prune back the branches for the time being.

The Revenant, a YA paranormal adventure novel by Elise Abram is set for a 10 July 14 release by Black Rose Writing.

[Tweet “Watch for The Revenant by Elise Abram, released on July 10 by Black Rose Writing.”]

 

Literary Devices from A to Z – Brought to you by the letter Y

 

 

 

is for Young Adult

 

 

 

Young adult (YA) novels are novels that appeal to adolescents and teenagers. In YA the main character is usually a pre-teen or teen and theme is often emphasized over the more traditional elements of storytelling such as plot and character. I’ve recently begun my foray into YA novel writing, with the soon to be released The Revenant and next year’s release (hopefully) of I am, Was, Will be Alice.

YA novels are usually subdivided into 3 genres, middle-grade (10 – 13ish), true YA (14ish to 18 or so) and new adult (19+). Most of the time the main character is the same age as the target audience.

The actual target audience of YA is hard to gauge as, quite often, adults enjoy these novels, too. This accounts for the popularity of such blockbuster series as Twilight or Harry Potter.

Do you read YA? Do you purposely seek out YA or do you read a book if it appeals to you regardless of it’s intended audience. Post your opinion of YA novels in the comments below.

 

 

Literary Devices from A to Z – Brought to you by the letter S

 

 

 

is for Symbolism

 

 

 

Sometimes a red rose is just a pretty flower sitting in a vase on the shelf while others it is a symbol of love. Visual symbols, like the rose, are usually linked to imagery. Other symbols may be linked to theme. The bottom line is that if something recurs in a story and means something other than the obvious literal meaning, it’s probably a symbol and not just another pretty flower.

In The Revenant, Morgan is a symbol of good, his brother Malchus, a symbol of evil. The sum of their lives show that good and evil are more than simple black and white divisions. There is a little bit of evil thought and good intentions in the best of us, but in the case of Morgan and Malchus, their personalities ultimately polarize and repeated references to this polarization is what makes them symbols (and foils).

In I am, Was, Will be Alice, the ability of Alice to control her time traveling becomes a symbol of hope. If she can control when she travels, maybe she can save the lives of her teacher and student peers and ultimately, herself.

Likewise, in the short story “Hope Floats”, a butterfly found by a child in a dystopic world becomes a symbol of hope. Having settled underground, a child ventures to the surface and captures a butterfly to give to his mother to show her there is still hope for returning to the old way of life. But when the butterfly dies, he realizes there is no turning back the clock.

Symbols are all around us in everyday life and in popular culture. I prefer the puzzle of the subtler symbols, no rose = love in my writing! Do you think of symbols at all? Can you think of any you noticed recently? Share examples of the best ones in the comments below.

Literary Devices from A to Z – Brought to you by the letter O

 

 

 

is for Onomatopoeia

 

 

 

The term onomatopoeia describes when a word sounds like what it means. Some examples of this are hiss, bark, bang, and boom.

In my Alice Untitled YA novel, Alice finds she time travels when stressed. One of her triggers is onomatopoeia:

I’m having that dream again.

Footfalls tick in the hall, the beat slow and regular, counting down the seconds left in my life.

Click. Clack. Click. Clack.

A momentary pause outside of the grade three cloak room.

Shuffle. Spin. Click. Clack. Click. Clack.

The muzzle of the gun, shaft pointed directly at me like a dark, unblinking eye.

The flash after the trigger is pulled.

Tick, beat, click, clack, shuffle…these are examples of onomatopoeia. The use of them in a narrative helps to add the sense of sound. Rather than say he walked into the room, readers can practically hear the sound of the stranger’s footfall as he enters the room and Alice’s growing stress, foreshadowing another leap through time.

Take some time to write a passage using creative onomatopoeia. Share them in the comments below if you’d like feedback.

A to Z Blog Challenge – Brought to you by the letter H

 

 

 

is for Hyperbole

 

 

 

A hyperbole is an exaggeration used to emphasize a point.

In the tentatively titled,  I Am, Have Been, and Will Be Alice, Alice is depressed and has taken to her bed for comfort when her mother comes into the room:

She digs my head out from under the blankets, brushes my hair from my forehead and brings her cool lips to them. “You’re cool as a cucumber,” she says for about the millionth time in my lifetime.

The hyperbole in this excerpt is Alice insisting her mother has used this phrase about a million times over the past 14 or so years. While it’s theoretically possible for someone to achieve this goal, it’s not very likely, which is what makes it a hyperbole.

When Suzanne leans over Palmer during a sarcophagus examination in The Mummy Wore Combat Boots, he says,

As she spoke I was enveloped in a haze of her perfume. Her scent was sweet and distantly floral.  It brought back a slew of memories—not all of them disagreeable—in a dizzying flood.

While Palmer’s memories make him neither physically dizzy, and his memories would not carry the same force as a flooding tsunami, I’m sure it would feel as if they did to poor Palmer who can’t escape Suzanne’s unwanted advances in such close quarters.

Do you use hyperbole in either speech or writing? Which ones do you use most often? Which ones have you written that you’re most proud of? Whatever they are, share them in the comments below.

Literary Devices from A to Z – Brought to you by the letter F

 

 

 

is for Foil

 

 

 

Foils are characters that have opposing character traits and motivations.

An example of foils from classical literature are Macbeth and Macduff from William Shakespeare’s Macbeth. In this example, Macbeth is driven by ambition to suit his own, selfish needs, while Macduff’s only ambition is altruistic in nature, to put the kingdom back to rights. Macduff and his wife’s relationship is a loving one, while Macbeth and Lady Macbeth’s is adversarial. Macduff has a child while Macbeth has none. Macduff is allied with Malcolm while Macbeth is his enemy. These and other traits set Macbeth and Macduff up as near polar opposites in character and desire, establishing them as foils.

In The Revenant, Morgan and his brother Malchus are constructed as opposites. Morgan is the naughty child, Malchus the good one. Morgan tends his family’s farm fields while Malchus is apprenticed to the local doctor. Morgan has the gift of foresight, something he wishes would go away while Malchus actively seeks out and embraces his power in the Dark Arts. Malchus raises Zulu from the grave for nefarious means; Morgan saves him. Morgan finds a life of purpose embracing the good while Malchus loses himself in evil. For these and other reasons, the brothers are set up as having opposing personalities, desires and motivations, rendering them foils.

Can you think of any other foils in literature or television? Post your ideas in the comments below.