Tag Archives: hook

We’re not in Storybrooke anymore!

If the Enchanted Forest is heavenly, Neverland is hellish. Sure there are ogres, evil witches, and dark wizards in the forest, but Snow White and Prince Charming keep them at bay and away from the castle and surrounding lands under their protection. There seems no similar safe haven in Neverland.

Once Upon A Time‘s Neverland is rife with shark-like mermaids that would as soon kill you as die themselves, a shadow wraith that steals souls, and Peter Pan, Neverland’s equivalent of the Dark One, and his sworn enemy. Claiming to be on the run from the Lost Boys who are after his vial of pixie dust, Peter gains Henry’s trust. When he learns Henry has the heart of a true believer, he reveals himself. Peter is now in possession of the body and heart of the true believer, a parallel to Rumplestiltskin’s possession of the Dark One’s dagger. I hope Henry gets to keep both to himself.

Meanwhile, back on the deck of the Jolly Roger, Emma and Snow pull a mermaid from the deep. The mermaid (could this be Ariel?) conjures a storm fuelled by the animus the crew has for each other. Fights ensue–Hook vs. Charming, Snow vs. Regina–and Emma realizes the storm can only be quelled when they agree to bury their respective hatchets. Emma nearly commits suicide jumping overboard; the crew works together to save her. When they arrive on shore, Emma proclaims herself their fearless leader and they go in search of Henry.

In the Enchanted Forest, Neal teams with Sleeping Beauty and Mulan on a quest to Rumplestiltskin’s castle to find an enchanted object that will help them contact Emma to let her know he’s still alive. Rumplestiltskin disappears from the deck of the Jolly Roger only to materialize in Neverland’s woods for a sit down with the head Lost Boy who throws a doll at him that reduces the Dark One to tears. Intriguing.

Season three’s opener was worth the wait. Not only does it turn the page on the old storyline (please forgive the pun), it sets up a chapter of new mysteries. What is the significance of the doll? Will Neal find his way back to Storybrooke? To Neverland? Is Rumplestiltskin really destined to die in Neverland? Are Neal and Tamara really dead? Will Emma and Hook ever get a room? Will Regina be content to assume the role of follower and to Emma, of all people? Do Neal and Mulan join Robin Hood’s band of Merry Men? Will there be any tie-ins between Wonderland and the Enchanted Forest? Between Wonderland and Storybrooke? Wonderland and Neverland? I’m certainly looking forward to finding out.

Weigh in on what you thought of the season première. Was it worth the wait?

Once Upon A Time is Coming!

In preparation for the new season of ABC’s Once Upon A Time, I took some time to go over some of the classics associated with the show. I re-read Alice’s Adventures in Wonderland and Through the Looking Glass, partially to “borrow” allusions and create symbols for my Alice Untitled story, but also in anticipation of the premiere of Once Upon A Time in Wonderland. I also went back to read up on Rumplestiltskin’s origins.

In the Grimms’  version, a miller boasts that his daughter can spin straw into gold. The greedy king of the realm locks the daughter up demanding she spin a roomful of straw into gold. The daughter cries and Rumplestiltskin, a plain-looking dwarf of a man, helps her in exchange for a necklace. The same thing happens the next day and, thanks to Rumplestiltskin, the daughter delivers. On the third day, the king promises that if she spins the gold he will make her his queen. Having nothing else to trade, the daughter promises Rumplestiltskin her first born. After the child is born and she decides she doesn’t want to give the child up, Rumplestilstkin tells her that if she guesses his name, she will be allowed to keep it. They hire someone to tail the dwarf and hear him singing his name as he gloats. The next day, the queen “guesses” his name and is allowed to keep the child.

OUAT’s version incorporates much of Rumple’s archetypal story in “The Miller’s Daughter”, and in snippets woven into other characters’ origin stories. OUAT’s Rumple starts out as the fearless trickster imp, granting favours in exchange for what each of the characters holds dear. The character is broadened by the writers to personify Belle’s Beast and Hook’s Croc. The Trickster, the Cowardly Lover and the Adversary are portrayed with most excellent skill by Robert Carlyle. The same goes for Gold, Rumple’s real-world counterpart.

In my search for an online version of Rumple’s origin story, I found “Rumpelstiltskin in Love“, a flash-fiction short story by KC Norton that tells the story of the dwarf as he raises a child. We learn Rumpel is not the child’s father. He has also raised other children, now grown and moved away. The child asks about his mother and Rumpel answers vaguely, hoping to spare the child the heartache of knowing his mother gave him up to save herself. This shows that in addition to being a trickster who is vain and greedy he is caring and lonely, someone who longs for human love, someone who cannot find a woman to love him because he is ugly, so he settles for the unconditional love of a succession of children, each of which winds up breaking his heart when they grow to maturity.

OUAT‘s Rumple embodies the characteristics of both tellings. As previously stated, he is a trickster, someone who makes deals with desperate people without compassion. But he also has a human side, one that is achingly lonely, and believes himself unlovable, in spite of–or maybe because of–his power. This Rumple has compassion, though begrudgingly so. He is a romantic who believes in his own happy ending in spite of himself.

I don’t know about you, but I can’t wait for OUAT season 3 to unfold as the crew travels to Neverland to rescue Henry and discover new facets to the characters, especially Rumplestiltskin. In the mean time, go to the Flash Fiction website and read “Rumpelstiltskin in Love” to tide you over. Let me know what you think about this poignant addition to the mythology.

I don’t want realism. I want magic!

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I listen to CBC Radio every morning on the drive to work. This morning I heard stories about how the number of home grown Al Qaida members is growing, the persistence of nuclear testing in North Korea,  the underfunding of aboriginal education in Canada, and (my personal favourite) a woman who says she can’t marry her beau of 15 years because the owners of a Spadina Avenue bridal boutique took off in the middle of the night with the store contents, her dress included.

That’s not what this blog is about. In the words of the immortal Blanche DuBois, this morning, “I don’t want realism. I want magic! Yes, yes, magic!”

Magic. What an apropos segue.

This morning I read Meredith Woerner’s post on io9 entitled Once Upon A Time might be the most frustrating TV show I’ve ever watched”. Damn! She beat me to the punch. I vow from this day forward never to procrastinate writing and/or posting to my blog again. As Macbeth would say, from now on, “the very firstlings of my heart shall be the firstlings of my hand.” As a result of her post, I must change tack on mine.

I thought I might explode waiting out the three long weeks between  OUAT episodes. On second watch, I even grew to sort of like the subplot of the last episode as it was high time Dr. Whale got his backstory, though I still don’t understand what Rumplestiltskin was doing in 1800s Europe or why he wanted Frankenstein’s experiments to succeed. And while I admit Ruby and Whale might make a cute couple, I would much rather have learned more about Mr. Mendell, as well as seeing more Rumbelle interaction.

This week’s episode makes the third (to quote Ms. Woerner) of the most frustrating episodes I’ve ever watched.  I liked George Garcia, both in Lost and Alcatraz, but his role as “Tiny” the Giant seems forced.  Why grow “magic” beans if you have no use for them? If the purpose of the story is to introduce the stalk cutting to grow more beans so a portal back to Fairytaleland may be opened, isn’t there a better way? Secreted away in Mr. Gold’s safe, for example? And why return to Fairytaleland when it’s already been established that the kingdom and much of its surroundings is no more than wasteland?

Then there’s the matter of Regina. What happened to living a better life to prove to Henry she’s worthy of his affection? The whole time I watched the scene I thought, “this can’t be Regina; it’s Cora in disguise again.” I liked watching her struggle with her former self in an effort to change, though I realize now she can’t ever change, seeing as she’s a fairy tale character, drawn to power and…well…evil by design. The beauty of fairytales is the clear distinction between good and evil, the battle between the two, and that good always triumphs in the end. So while Regina had gained some headway into the gray, she must ultimately lose her battle as she is inherently evil.

On a brighter note, Hook, though still quite one dimensional, provided quite a bit of comic relief, coming on to everyone without a penis. Charming’s reaction to Hook’s advances on Snow were funny but exaggerated—when will the men of Storybrooke learn that if there’s one thing the women of Storybrooke don’t need it’s protection by Storybooke’s men?

Last on the discussion agenda is the story of Rumple’s search for Bae. In an earlier post I wrote that Gold had adopted his limp as an affectation to deceive people into believing he is weaker than he appears. Going by the way he limped through the metal detector, I’m guessing I was off base with that theory. I’m still holding tight to the theory that Bae is Neal—how else might the look of recognition on Emma’s face in the preview be explained?

I like the fish-out-of-water vibe of Rumple at the airport and on the plane. In her post, Woerner asks, “Why not a road trip?” given that New York is probably no more than eight hours’ drive from Maine. When you consider that a plane ride might cut their travel time by half at least, they would save eight hours on a round-trip. That’s almost a day. A day less for Rumple to be away from Belle. A day less for Henry to be out of Storybrooke (though I don’t understand why he needed to go along on their quest). A day less for Emma to leave her parents (still naïve to the ways of the outside world) to deal with Mr. Mandell and Hook and Cora in her absence. 

Time to put on my English Teacher’s Hat now. The one thing this episode does is to seal the deal regarding Rumple as a tragic hero. In a previous post I explained how Rumple was an example of a tragic hero. He had everything in Fairytaleland—wealth, power, respect (disguised fear, really). In Storybrooke, his insistence that nothing has changed with respect to his power has slowly led to his downfall. He lost Belle (again). Power has shifted to Sheriff Emma and her parents. And now, he’s lost his magic, non-existent outside of Storybrooke, and his control. Sitting on the plane, we are reminded of Rumplestiltskin the coward, with one difference—this time, Robert Carlyle allows Rumple’s nobility to show through.

Next week should prove interesting. According to online spoilers, the flashbacks take us to early in Rumple and Milha’s relationship. In one picture, Rumple sits on a bed cradling baby Bae in his arms. One can only imagine the thoughts racing through the man’s head, his hopes for the child, but mostly his fears. Losing Bae’s mother to a pirate, nearly losing him to the Ogre Wars and then finally losing him to another dimension, his fear of the perils of Fairytaleland, mistaken for cowardice, prove warranted.

Works Cited

Woerner, Meredith. Once Upon A Time might be the most frustrating TV show I’ve ever watched. io9 TV Recap. 11 Feb 2013. <http://io9.com/5983580/once-upon-a-time-might-be-the-most-frustrating-tv-show-ive-ever-watched&gt;.13 Feb 2013.

Download PHASE SHIFT for the price of a tweet. Visit http://www.eliseabram.com, click on the button, tweet or Facebook about my novel and download it for FREE!

A Tale of Two Villains

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The Once Upon a Time showdown we’ve all been waiting for unfolded last night, and it did not disappoint.

Last night’s episode, “The Outsider”, might have been subtitled “A Tale of Two Villains”, as it pitted Hook against Rumple in a battle, both of wit and strength. Hook, who puts Belle in danger to get Gold out of his shop so he can steal a shawl, Rumple’s prized possession, thinks with his head. Ordinarily, I would argue Hook is no match for The Dark One who pens iron-clad contracts, tricking those with which he bargains into thinking wish fulfillment is within their grasps. But this is not the old, lonely, bitter Rumple. Forging a relationship with Belle whilst believing a reunion with his son is within reach, Rumple is vulnerable. When he saves Belle on The Jolly Roger, he turns his anger on Hook, playing into his trap. The beating he inflicts on the pirate is both disturbing and comic; Belle’s reaction both touching and foolish.

Colin O’Donoghue plays Hook with slimy, sexy, smarminess. His proximity to Belle while threatening her on The Jolly Roger is both scary and (for lack of a better term) hot. But the real showstopper is Robert Carlyle in the role of Rumple/Gold. I melted when, after Belle is trapped in the elevator by Hook, the doors open to reveal Rumple and he and Belle hug. I cringed throughout Hook’s beating, reminiscent of a similar assault perpetrated by Gold on Moe French in season one. I grew excited at the prospect of Rumple in the real world after he crosses the town line and my brain began forming scenarios as to how the search for his son, Baelfire, might play out.

The last minutes of the episode are demonstrative of how a true cliff-hanger should play out. Belle shot. Rumple’s hand covered in her blood. A speeding car. Rumple dropping and rolling he and Belle from harm’s way. Hook hit. Brilliant. The one thing with the ability to top this: next week’s trailer. In the clips, an unconscious Belle lies in her hospital bed. Thinking, no doubt, she will awaken after sharing true love’s kiss, Rumple kisses her. Belle opens her eyes, sees Rumple, and screams, recoiling as she does. The implications are gut-wrenching and exhilarating at once. Oh, and let’s not forget the backstory clip that shows Rumple kissing Cora, which raises the obvious question: could Rumplestiltskin be Regina’s birth father? Is that why he took her under his magical wing?

On the deck of The Jolly Roger, Hook sums it up best when he tells Gold he looks more like the coward he remembers. Rumple, the man, is at his most vulnerable when he has something to lose. Branding him as The Village Coward was unfair. He ran from battle during The Ogre Wars because he had something to live for (his wife and child) and didn’t want to die. He gave fealty to the soldier in front of his son because he wanted to escape and get Bae to safety. He didn’t fight Hook in Storybrooke because he knew they were no match, so he appealed to his sense of decency (which, unfortunately, Hook failed to cultivate) instead. As The Dark One, he had nothing to fear. Finally, he had the means to protect his son. When Bae was lost, he was free to pedal his deals, searching for a way to be reunited with his son all the while.

Belle represents Rumple’s vulnerability personified. When he thought she was dead, he was strong. Since she’s returned, it’s been amusing to watch Rumple embrace his reluctant weakness, sparring with his inner-coward as it threatens to bleed through his hardened exterior. With Belle removed from the equation, will Rumple lose himself in The Dark One once more? Will Rumple be cashing in Emma’s favour IOU? Was Neal the driver of the car? Was it Bae? Are the two one and the same?

Next week’s episode is entitled “In the Name of the Brother”. Speculation has been this episode will focus largely on Dr. Whale/Frankenstein and his family. While I think this is an interesting tangent, much like last night’s Yaoguai tale, I hope they don’t lose sight of the Hook/Belle/Rumple triangle, which in my humble opinion, is much more interesting than the Snow/Charming saga.  

I wait with you and bated breath ‘til next Sunday.   

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Graphic from http://www.wetpaint.com/once-upon-a-time/gallery/once-upon-a-time-behind-the-scenes-pics-season-2-episode-11-the-outsider-photos#5