Tag Archives: Rumplestiltskin

Rumplestiltskin as a Tragic Hero

The classic definition of a tragic hero according to Arisotle is that he must be of noble birth, has a tragic flaw which leads to his downfall, suffers a reversal of fortune, his actions bring about an increased sense of self-awareness and self-knowledge and the audience must feel pity and fear for the character(1).  I submit that Rumplestiltskin, aka Mr. Gold on ABC’s Once Upon A Time (OUAT) is a tragic figure. While he is not of noble birth, he does have a tragic flaw (cowardess) which leads to his downfall, he suffers numerous reversals of fortune (the loss of his son, wife, and lover), his actions bring about an ongoing increased sense of self-awareness (recent confessions made by the character), and the audience feels both pity and fear for the character.

For those of you who aren’t familiar with OUAT, the show is about storybook characters coming from their familiar storybook existence in Fairytaleland (FTL) to our world and settling in Storybrooke, Maine (SB).  Robert Carlyle plays Rumplestiltskin in FTL and Mr. Gold in SB with menacing relish. In the original tale, Rumplestiltskin is an impish character that is able to spin straw to gold. He agrees to teach the miller’s daughter the trick, provided she pay the sum of her first born to him. The miller’s daughter marries the king and has a child but does not want to give it up. Unable to resist a deal, Rumplestiltskin agrees to let her keep the child, provided the (now) queen can guess his name. After the second try, certain that he would receive the child, he was praising himself by the fire when someone heard and reported his name to the queen. Upon hearing  his name come from the queen’s lips,  Rumple got so angry he tore himself in two (2). In OUAT’s version, Rumple is the village coward. Shunned by others in his village because he ran when the ogres attacked rather than fight, his wife (Milha) has run off with Killian Jones (aka Captain Hook). Determined to become powerful and earn the trust of everyone including his son, he kills The Dark One and assumes his powers. Shunned by others because they fear him, he saves his son from fighting in The Ogre Wars only to lose him when he falls into a portal to another land and closes before he can follow. Alone, he finds his wife and kills her by literally taking and destroying her heart. Lonely, he makes a deal with a king to save his subjects from the ogres in exchange for his daughter, Belle, with whom he falls in love. Believing himself unworthy of being loved, he banishes Belle from his castle and Regina, The Evil Queen, convinces him she returned to her village despondent and  ostracized for her involvement with him and she kills herself. After Regina enacts The Curse causing FTL characters to be transported to SB, he finds Belle when the curse is more changed than broken and reunites with her, but finds it hard to shake his beastly ways.

The Tragic Hero is of Noble Birth

Granted, Rumple himself is not of noble birth, but he does become elevated to the status of nobles when he becomes The Dark One. He has the same powers and wields them to his advantage as do the other royals in FTL. Take, for example, King George, who takes a peasant boy to replace his son when he dies only to threaten his mother and his twin brother’s life if he does not do the same when the replacement dies. Or Belle’s father, Sir Maurice, who is willing to trade his daughter for peace in his kingdom (granted Belle decides to go on her own, but in the long run, Maurice remains passive when his daughter leaved). Then there’s Regina who pushed her mother into a portal and has made her life’s mission to wreak havoc in Snow White’s life for a transgression occurring in her childhood. Like the other royals, Rumple is feared for his power and revered by those who come in contact with him by people who offer (as Macbeth, another royal and tragic hero laments) “mouth-honour”. As the owner and benefactor of SB, Rumple, aka Gold, maintains his power over the characters and seems to enjoy that they fear him. He is the proprietor of the local pawn shop which houses many of the character’s prized possessions with which they made deals with Rumple back in FTL.

The Tragic Hero has a Tragic Flaw Which Leads to His Downfall

As far as personality flaws go, Rumple has many. The story begins with him as a coward, then becoming addicted to and drunk with power as The Dark One. He clings to this power, valuing it even over the love he seeks. This is demonstrated when, after his magic seems threatened by Belle’s love for him, he sends her away rather than explore his heart’s deepest desire.  Betrayed by many including his wife, his apprentice (Regina) and many of the townspeople when they try to get out of the bargains he strikes, Rumple trusts no one. Rumple’s biggest flaw is his desire for acceptance and love. He places himself in a vulnerable position when he allows himself to mistake August (aka Pinocchio) for his son, and again when he prostrates himself to Belle in the library after admitting to her he is still a coward.  It is this flaw more than the others that will ultimately lead to his downfall, as a man as powerful as RumpleGold cannot afford to wear his hat on his sleeve in such a manner.

The Tragic Hero Suffers a Reversal of Fortune

When Rumple agrees to kill The Dark One in order to release him from his misery and gain his power, he thinks life can only get better. Rather than ostracize and ridicule him as being the village coward, the villagers will be forced to revere him or he will turn them into a snail and crush them like the bugs they are. Instead, people ostracize him further. Instead of their disgust, he garners their fear. If he is The Dark One, he surmises, his wife will beg to come back to him and he will win back his son’s respect. Instead, he loses them both. Perhaps worse, he loses himself in the bargain. As we have seen with Regina, magic is addictive. In a brilliant turn of events, Regina runs to psychiatrist Archie Hopper (aka Jiminy Cricket) when she falls off the magic wagon. Like Regina, Rumple is addicted to magic. He does not know how to interact with others without offering them some sort of magical deal and, as previously stated, he chooses magic over securing his deepest heart’s desire. It seems to me that there is no lower ground to which a man who kisses a soldier’s boot in front of his son can stoop, but Rumple seems to do it. At times I am left to wonder, which is better—being ridiculed for cowardess but still having my son, or having all the power in the world at my fingertips and being utterly alone in, not one, but two, worlds.

The Tragic Hero’s Actions Bring About an Increased Sense of Self-awareness and Self-knowledge and the Audience Must Feel Pity and Fear for the Character

As writers continue to flesh out Rumple’s character, we learn he is very much self aware. The mystery in season one questioned who, out of all of the characters, remembered their FTL past. I love the scenes in which Rumple and Regina verbally spar. In one of these scenes, Rumple is in SB’s jail and Regina is compelled to sit and talk to him (she must do whatever Rumple says when he says “please” as a part of the original curse). The moment where he reveals he remembers his FTL name is an incredible step toward his admitting he is still The Dark One and the audience can’t help but fear what will happen to him if the others regain their memory and learn of his name. In season two, the Rumbelle ship continues to sail on very choppy waters. As they battled a wave that threatened to sink their ship, Rumple admitted to Belle that he is still a coward. What a brilliant moment toward Rumple’s self-awareness of the man behind the beast. At that moment, I felt nothing but pity for the character played to expertly by Robert Carlyle. He still loves her. And in admitting that he needed her, he revealed a vulnerability that instilled fear in audience members such as myself who watch the show primarily for this character. Many in the blogosphere believe that Hook will seek revenge for Rumple’s killing Milha on Belle. Having begun his descent out of the pit that is his addiction to magic, I can’t help but fear that without Belle he will fall back to magic to seek his own retribution, and thus descend into madness as well.

Time, of course, will tell, and I don’t mean time on the clock swallowed by the crocodile in the original Peter Pan tale because in OUAT’s version, Rumple is the famed crock as well. As I write this, Hook and Emma, still trapped in the ruined FTL are about to discover Jack’s beanstalk in their quest to find a portal to SB so Emma and Snow can be reunited with their family and Hook can “skin” the crock that took his hand and his love. My hope for Rumple is that he remains intact for the balance of the series, however long that may be, and not fall prey to the death visited on most other  tragic heroes at the end of the tale.

(1)    http://shakespeare.nuvvo.com/lesson/4435-elements-of-a-tragic-hero-in-literature

(2)    http://www.eastoftheweb.com/short-stories/UBooks/Rum.shtml

Flat and Round Characters

Colin O’Donoghue who plays Killian Jones aka Captain Hook in ABC’s Once Upon A Time is handsome, I’ll give him that. The blogosphere was abuzz with how Hook will give Rumple a run for his money, how he will be the biggest and baddest villain on the show. The problem with these theories is that Hook is flat whilst Rumple is rounded. Hook will be no match for Rumple due to Rumple’s multifoliate interior.

                Characters are of two types, flat and rounded. Flat characters are doomed to live their lives out in Flatland, the one-dimensional world created by Edwin A. Abbott and popularized by Sheldon Cooper in an early episode of The Big Bang Theory. That is to say, when looked at head on, they have shape and dimension, an appearance, names, a purpose, but when they turn sideways, they devolve into nothing more than flat lines, indistinguishable from one character to the next. Flat characters function as “phaser bait”, they serve a purpose, nothing more. They are the innocents Palmer and Michael (my characters) interview in their investigation that give up their information and then vanish, never to be seen or heard from again. They are Molly’s students who find an important artifact and then get about with their studying. They are the pirates who cheer on Hook in his bid to belittle Rumple and then fade into the background. They are the Milhas, the women who spur a duel between two characters, never to be heard from again. Last night’s Hook seems to have no motivation other than to kidnap women for the pleasure of he and his crew and then, later, to avenge Milha’s death. Or maybe it’s to get back at “The Crocodile” (a brilliant turn of events, nicknaming Rumple this) for taking his hand. OUAT’s Hook is narcissistic, and single-minded. Girls and wealth are his only motivator.

                Ever the round character, Rumple continues to amaze. All this time, the viewer was led to believe his sole motivation was to bring magic to Storybrooke so he could wield power over Regina, The Evil Queen. Now we learn his sole purpose is to overcome his cowardly past, to be reunited with those he loves and prove to them he is worthy. In a stroke of genius, the writers send Rumple to Belle to humble himself and apologize for his transgressions where she is concerned. He is a man who knows he is imperfect, someone who is capable of vengeful murder (Milha’s) and sweet gestures (giving Belle the key to the library), but at his core, he is a man whose sole desire is to be loved, and to love, but he doesn’t know how. Rumple looks upon people as possessions. He became The Dark One to keep Bae with him. He killed Milha (his wife) because he could not possess her. He imprisoned Belle in his dungeon because he feared she, like all those before her, would leave. Rumple’s motivation to bring back magic so he can leave Storybrooke and find his son is heart-achingly poignant and gives the character depth.

                Granted, Hook is a new character and we’ve only seen him in a single episode designed to facilitate getting Cora, Emma and Snow back to Storybrooke, and he will be fleshed out in the weeks to come. But so far, the simple fact that Hook was introduced to facilitate getting Cora, Emma and Snow back to Storybrooke supports my theory that he is a flat character. He has a purpose; he has no self-motivation to speak of thus far. Contrastingly, when we are first introduced to Rumple, he is already The Dark One, his origins a mystery cloaked in an impish exterior. He is jailed, he grants wishes, he is hated and revered by virtually everyone in Storybrooke. We know there is an age-old rivalry between he and Regina and we ache to find out what that is. Juxtapose that with Storybrooke’s Gold who may or may not remember his life before the curse, and Rumplegold is multi-dimensional from the start.

                Last night’s OUAT opened a multitude of possibilities for the season(s) to come. I like that, unlike while watching so much formulaic prime time tripe, I never know what to expect. And even when I intuit the formula, I am still satisfied with what I see. Kudos to OUATs writers and actors, but especially to Mr. Robert Carlyle who brings justice to the character of Rumplestiltskin, a tragic hero if ever one there was. 

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Graphic credit to http://hollywoodlife.com/2012/10/21/once-upon-a-time-captain-hook-rumpelstiltskin-kills-milah/

Archetypes

An archetype in literature is like a prototype, a version after which other versions are patterned. This is, I think, what makes me a fan of Once Upon a Time. In television’s Storybrooke, archetypal characters are brought to life, both as archetypes and as modern versions of themselves. In season one, it was the dichotomy of their personalities that drew me in, the difference between Storybrooke’s David and Fairytaleland’s Charming. The self-assured Snow versus the meek and unconfident Mary-Margaret. What made it especially fun were the peeks into the archetype that I imagine to be bubbling just beneath the surface in Regina and Gold, the only two characters with intact memories, and the repartee between them. I named my blog “My Own Little Storybrooke”, because I understand that all imagined characters and storylines are based on archetypal ones, new spins on old ideas. As I’ve already mentioned, it’s the deviation between the traditional and the new that makes these stories so exciting.

Take Smallville for example, the last spin on the Superman archetype. The Superman legend enamours me for its romanticism, in which the archetypal story is the boy next door who turns out to be the strongest, most virtuous and handsome person on the planet. Or maybe it’s about the nerdy guy that has a crush on you who is just as worthy as the captain of the football team, but you’ll never know because you can’t get past his nerdy exterior. Revenge of the Nerds just popped into my head, a group of nerds who are shunned until their superpower (great sex) is discovered. They get the girl, but continue to battle the jocks in the sequel. Read: Superman/Clark Kent hooks up with Lois Lane but continues to battle Lex Luthor and other villains in the sequels.

It is The Beauty and the Beast archetype that spurred this blog entry. When read as even the lowest creature is worthy of love, the archetype has merit. But this archetype could be seen to have a darker meaning, one with undertones of Battered Wife Syndrome and/or Stockholm Syndrome, in which the victim begins to identify with her attacker/captor, using love as an excuse to stay. In The Beauty and the Beast legend (and I’m going with popular culture’s version and not the original archetype which I haven’t read), a brave girl (Belle in the Disney and ABC versions) breaks the damsel in distress mould and decides to save her family rather than having them protect her. She volunteers to go with the Beast who mistreats her and locks her in the dungeon. Eventually, he releases her so she can take care of his castle. Because he shows her sporadic kindness, she falls in love with him. Once he wins her love the spell is broken and he is no longer a beast.

While I love the OUaT version, Rumple is really rough with Belle, to the point where one might ask how she could possibly fall in love with him. Perhaps Gold’s confession that he is a difficult man to love tugs at her heart strings. Belle, ever the martyr, sacrifices her own happiness to save the man she loves. I have to admit I was looking forward to the new Beauty and the Beast television show, premiering on Showcase last night. This version closer parallels the eighties show starring Linda Hamilton than the Disney one. In it, Kristen Kruek plays Catherine, a police officer (Linda Hamilton’s Catherine was a reporter) who meets up with Vincent, a genetically engineered super soldier turned vigilante who once saved her life. If this series is anything like the eighties one, the two team up to fight crime. While I love Linda Hamilton from The Terminator (and more recently Chuck) days, I remember watching BatB sporadically.  I never quite understood why Vincent looked the way he did or why she was so attracted to him. This iteration of BatB takes place in a New York which looks a lot like a dressed up downtown Toronto (the only information I could find online was that it was filmed in Canada). Catherine meets Vincent in the first minutes of the show in 2004 when he saves her life and then we flash forward to 2012 where they meet again. Once more, he saves her from certain death and she is intrigued by him, especially when she learns he’s supposed to be dead. Long story short, they meet up, he spills the beans about his history and she agrees to keep the fact that he’s still alive a secret. So much for the slow build. Truth be told, I won’t be watching again. If I want a police procedural with a built-in love story, I’ll watch Castle instead. Speaking of Beauty and the Beast and police procedurals, Rookie Blue’s Sam and Andy kind of fit the bill—loner Sam is reluctant to succumb to Andy’s charms but eventually does. After a fellow cop is killed on his watch, Sam blames Andy and is horrible to her, playing beast to her beauty. True to archetype, even when Sam emotionally abuses Andy, the residual, reciprocal attraction remains.

Rumbelle still intrigues me, though I don’t understand Belle’s interest in staying, other than that she can’t leave Storybrooke or she’ll lose all memory of who she was. Being Beauty is much better than being a basket case locked up in the mental ward in the equivalent of Storybrooke’s dungeon. I love the new Rumplegold, a little bit Gold, a little bit Rumplestiltskin, and Robert Carlyle plays the part with slimy precision. Emilie De Ravin’s Belle is a young woman with a maturity beyond her years. She treats Gold as an impetuous child who, once he realizes he is indeed loved unconditionally, will stop playing manipulative games, grow up and be a man. Sounds a little like the relationship between Wendy and Peter Pan, doesn’t it?

Darn those archetypes.

Image from http://www.fanpop.com/spots/once-upon-a-time/images/29123371/title/rumpelstiltskin-mr-gold-belle-wallpaper

Mr. Gold and the Five Facts of Fiction

Believe it or not, I return to teaching less than two weeks from now. I am currently spending my days modifying last year’s lesson plans, working on my latest manuscript, and re-watching season 1 of Once Upon a Time.

The lesson I am currently revising is on character. I found this amazing worksheet online by Steve Peha (http://www.ttms.org) that I use in class called “Five Facts of Fiction” in which students brainstorm the physical, emotional, social, philosophical and intellectual traits of a character, explore what the character wants and whether or not s/he gets it, how the character changes throughout the story and the world in which the story takes place. The task is to complete this worksheet for a character with whom the students are already familiar, either from fiction or the popular media (i.e., television or movies). So of course, I chose Robert Carlyle’s excellent portrayal of Mr. Gold/Rumplestiltskin with which to complete an exemplar. I won’t bore you with the worksheet notes, but here is the character sketch I wrote as a result of the exercise.

Gold dusted the holdings of his pawn shop tenderly, memories of days gone by, each of them reminiscent of a deal he’d made in that other place. It was cold there, metaphorically speaking, had become so the day he abandoned the army and returned to his village the only survivor of his troop. Fools. They’d dubbed him the resident coward then, but no one could have understood his fear, not unless they’d been there. Back then only the men went to fight in The Ogre Wars and few returned from battle. Then they took the women as well. Then the children.

                Bae.

                His mind returned to his own son whom he’d help escape that world. Better separate and reunited somewhere and somewhen than send him like a lamb to the slaughter.

              That reunion was still forthcoming.

                Gold sighed. He laid the feather duster down and retreated to the back room where his spinning wheel resided and began to spin. Here, in this place without magic, even his spinning was impotent. Here he spun sheep’s wool to yarn; back home he spun straw to gold. Spinning helped to calm his nerves and made him a rich man, but he was nevertheless very lonely.

He’d been happy once. Looking for someone to tend his castle, he’d taken Belle, saving her from enlisting in a loveless marriage, only to find he had feelings for her. When she kissed him, he felt his power threatened and believed her to be an emissary of the Evil Queen and sent her out. He’d heard she returned to her father’s home where she’d been shunned and eventually taken her own life. Here, in Storybrooke, Gold had beaten the man, hoping to hear the truth from his own lips, that Belle was still alive and, like Bae, out there somewhere, somewhen, but to no avail.

               The wheel stopped momentarily as Gold closed his eyes and tried to visualize her face. She was beautiful. Too beautiful to fall for the likes of him without an ulterior motive, he felt sure. Yet he still held onto a strand of hope, a strand as thin and delicate as the gold he favoured spinning from straw. He resumed his spinning. In Fairytaleland, after accepting the power of The Dark One, he was a powerful man, both feared and respected. It was the same in Storybrooke as well. He had fear and respect. What he didn’t have was love, but it was coming, of that he was sure. One day, he would bring magic to Storybrooke and then, when he had regained the power of The Dark One, he would show them all, Regina, her “Royal” majesty, most of all. When that day came, he would find Bae and Belle, and the three of them would live their lives out as the resident royals of Storybrooke, Maine.

                One day he would find his own happy ending.

                One day soon.

Character Sketch of Once Upon A Time’s Mr. Gold

The old house was dark and drafty, but he didn’t mind. He kind of liked it that way. It hearkened back to another time in his life, another place, a buried memory. He ran a comb through his long, greying locks, trusting they looked okay. Selecting a light lilac dress shirt, a striped tie in complimentary, variegated purple, and the dark grey suit, he dressed. He tied his shoes and looked down at himself. It would suffice. It had to. Ever since…well, ever since the curse had been enacted, he never took much stock in mirrors and only seldom chanced a glance at his reflection in a window or any other reflective surface. He wouldn’t give her the satisfaction. He looked presentable, he decided, but for the cane. That damned cane and the limp he’d affected in this lifetime. It was meant for others to underestimate him, to perceive him as weaker than he was. Instead, it christened him with an air of the unknown. People feared him, deferred to him, showed him respect. Good.

He opened the lock to his pawn shop with the skeleton key then placed it in the inside pocket of his suit jacket for safe keeping. He felt safest in the old shop, equally as dark and drafty as his house, if not a little dustier. He nodded at the husband and wife marionettes (just because they were wooden didn’t mean they couldn’t still perceive the world around them), blew on the golden oil lamp on the counter then buffed it with the sleeve of his jacket, and drew the feather duster over the ship’s bell near the far curio. Belle. The thought tickled his mind fondly at first, but then the memory of love found and love lost grew dark, as dark as the depths of his soul. They would pay for his loss. All of them. Happy endings, indeed, he thought. He swallowed a chortle deep in his throat, but the smirk that grew on his thin lips would not be stifled.

The front door rang. Someone was there.  A customer! His heart beat with excitement. A deal. No one came to see him without a deal in mind. He choked back a snicker and resisted the urge to drum his fingers together.

“Mr. Gold?” the sheriff called.

“Miss Swan. So nice to see you,” he said, poking his head from the threshold of the back room.

The sheriff frowned. She didn’t trust him. Also good.

“What can I do for you today, my dear?” he said with a leer. Emma Swan owed him for a deal they’d recently struck, and he intended to collect. Mr. Gold’s agreements were always honoured. And no one had ever broken a deal with him. Ever.

This passage was written to demonstrate to my Writers Craft students how to write a character sketch. Too often, students tend to write a paragraph that reads more like a laundry list of character traits than a character description. Characters are motivated by their wants and desires. Their story is about their reaching or failing to reach achieve those desires. In this passage, I wanted to provide motivation behind Mr. Gold’s character, but I couldn’t resist toying with the fact that he remembers Fairytaleland and knows who he was. In my mind, the reality of Rumplestiltskin is bubbling behind the thin facade of the stoic Mr. Gold.

Thanks to http://ouatv1.blogspot.com/2012/02/once-upon-time-mr-golds-house.html for the graphic and the Rumplestiltskin quotes.

Tribute to Once Upon A Time’s “Skin Deep” Episode

When he discovered she’d betrayed him, the illusion shattered. Life. Death. Good. Evil. Then there was a moment – it was hard to breathe. His self- perception was ripped asunder and his world began to shift. Glass, wood, fine china, and trinkets landed on the floor. Then the dungeon door slammed. Then nothing else mattered.

The above passage was modeled after an excerpt from Timothy Findley’s “The Wars”. It was written as an exemplar for a modeling exercise in which students had to write a passage modeled after a master text.

Thanks to http://www.ouatfan.com/2012/02/12/quick-cap-episode-12-skin-deep-recap-review-etc/ for the graphic.