Tag Archives: ghost

“Saving Hope” from an Identity Crisis

 

In “Saving Hope”, Charlie (Michael Shanks) is in a car accident leaving him in a coma for most of the first season. While in the coma, his spirit roams the hospital interacting with other dead or nearly dead patients, helping them solve their dilemmas, watching his fiancée, Alex (Erica Durance), and  ex-wife, Dawn (Michelle Nolden), fight over whether or not to pull the plug. When Charlie finally awakens, he is left with the “gift” of seeing dead and nearly dead spirits in the hospital. He reluctantly makes the effort to help them with their problems, afraid he may be going insane. He finally lets hospital psychiatrist, Gavin (Kristopher Turner) know he may be hallucinating and is prescribed medication, but his ability doesn’t go away. After a near overdose, he decides to let Alex know. She doesn’t take it well and Charlie decides the best thing to do is to take a break from the relationship while he sorts out his situation. This serves to complicate matters, as free of Charlie, Alex finds herself drawn to colleague and ex-boyfriend Joel (Daniel Gillies).

I love “Saving Hope”. I like the characters and would be as happy seeing Alex with Charlie as I would with Joel. It’s filmed locally, right here in Toronto, Ontario, Canada, which is a bonus as–like with “Rookie Blue” and “Orphan Black“–it doesn’t try to hide or disguise the city. The stories are every bit as compelling as “Grey’s Anatomy” and sometimes as cringe-worthy as the most gross “Grey’s” emergency case or “Bones” opening segment. I like that it’s a guy who sees ghosts, and that he does so reluctantly. Charlie’s a good guy who means well, but he’s also worried for his career and social life and we get to see his internal struggle. Unlike “Ghost Whisperer”, Charlie has yet to experience catharsis into acceptance of his ability, and Shanks does an excellent job portraying this.

Where “Saving Hope” fails, is deciding if it’s a supernatural show or a hospital drama. This week’s episode was a prime example of that indecision, as there wasn’t a single ghostly encounter in the entire show. The odd thing is, as a pure medical drama, it worked. Maybe the confusion is not on the part of the writers, but on me. The show has potential as a supernatural-slash-medical drama. It works as a purely medical drama. The question is would it work as a purely supernatural one? If they took the action outside of the hospital, perhaps, but then you’d be taking away Charlie’s source of spirit. People die in the hospital. As a doctor, Charlie is in a position to be their first welcome into the afterlife. Without the medicine, “Saving Hope” would be nothing more than “Ghost  Whisperer: the early years”–assuming Charlie eventually comes to terms with his ability and whether he ultimately decides it is more a blessing than a curse.

Did you watch this week’s “Saving Hope”? What did you think? Were you disappointed there were no ghosts? Let’s talk in the comments below.

“RIPD”: “Men in Black” meets “Ghostbusters” meets lots of other things

RIPD (Rest in Peace Department) is where good cops go when they die. Their job? To track down escaped demons from Hell and return them or terminate them altogether. Ryan Reynolds plays Nick with one-note aplomb. His partner, Hayes (played by Kevin Bacon with similar gutsto), kills him over parts of a golden talisman they recover from bad guys. In the afterlife, Nick is drafted into the RIPD without ceremony and partnered with old west lawman Roy (Jeff Bridges) for training. On the first day out they happen upon the same case Nick was working when he was killed. They follow the trail to recover the rest of the talisman, failing to catch the demon when he is revealed. When the demon goes on a rampage in the city and Nick and Hayes are threatened with termination (which means meeting their final death), they take matters into their own hands.

I firmly believe there is nothing new under the sun; everybody works to put new spins on the same old archetypes. ABC’s Once Upon A Time, which puts a new spin on old fairy tales–especially on old Disney fairy tale properties–is case in point. The fun comes not in watching something new, but in watching a new spin on what must be an ages old concept. Many writers, I’m sure, set out to write something one of a kind and alternately cringe and scream when they see their original ideas manifested elsewhere (this was a regular occurrence while watching Fringe and working on Phase Shift). Other writers take someone else’s idea as a start and go from there (as is the case with every vampire property I’ve ever seen or read and The Revenant or The Time Traveler’s Wife and my untitled Alice piece).  RIPD has the typical old-timer-trains-newbie framework present in Men in Black or Lethal Weapon series. Unlike those movies, the old-timer is the strange-duck, while the newbie plays straight man.   Like Men in Black, the beings the cops hunt can hide in plain sight, appearing somewhat quirky, but for the most part normal. As is the case with Ghostbusters and television’s Reaper, RIPD detectives have a device to quickly dispatch the spirit back to the underworld before they wreak havoc on the living. Similar to Buffy the Vampire Slayer, there is a Hellmouth that is in danger of opening if the detectives don’t thwart the bad guys in time. Similar to Ghost, Nick’s love for his wife transcends death. Also similar to Ghost, his best friend/partner is the bad guy and his wife is ultimately put into jeopardy. Nick and his wife also have a brief reunion scene near the end, as do Sam and Molly at the end of Ghost.

RIPD is lots of fun. In addition to it being a police procedural, it is a love story, and involves superheroes of a sort. There is a lot of comic book violence as well as interesting villains. Jeff Bridges steals the scene in the role of talkative, cynical Roy, and much of the comedy comes from his deadpan responses and odd behaviour (such as driving the car facing sideways with his right leg up on the seat, or the way he is more concerned that he loses his hat than that he loses the demon). Though it borders on the cliché, RIPD is a light-hearted romp worth a look-see.

Did you see RIPD? Leave me a comment to let me know what you thought about it.

Being Human Send-off

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I hate this bittersweet time of year, the time when all my favourite television shows come to a climax and leave me hanging. This week I watched this season’s culminating episode of Being Human, a show about a vampire, a pair of werewolves and a ghost trying to subvert their supernatural sides and…well…be human. This season saw a vampire virus, Aiden siring a son, Sally’s transformation from shredded, limbo-confined ghost to flesh-eating zombie and back to ghost, and Josh’s journey from were to human and back to were. There was a lot of murder and mayhem and sex and a marriage, but no matter the excitement level of each episode (which was stuck in high gear for the duration), it never reached the high of the season finale.

This week’s episode saw Aidan form an unholy alliance with Blake to compel Kat to forget seeing Sally’s rotting corpse in her room; Sally’s return to ghostdom while linked to Donna the Souleater’s spirit; and Josh’s seeming inability to return to (for lack of a better phrase) being human after turning, following being bit by a full-blooded were. To make matters worse, a woman has shown up that looks eerily like Aidan’s long dead wife, there’s a mutated baby vamp on the loose that Aidan suggested to Josh he’d killed, and Werejosh is about to pounce on Humannora.

On the up side, I’m satisfied. This ending promised no fewer cliffhangers than any other episode this season. On the downside, I have to wait the better part of a year before I am able to ride the Being Human roller coaster again. Being Human is one of the better sci-fi shows featuring supes out there today. It lacks the soap of Vampire Diaries, and True Blood’s gratuitous sex and violence. The characters develop every season, and the relationships are believable, which can be attributed to the chemistry of the cast and the skill of the writing. Knowing the British production has been cancelled makes me all the more grateful that this was only the season—and not the series—finale.

To my dear friends Aidan, Josh, Sally and Nora: have a great summer, and try not to eat too many actual humans while on hiatus.

About the Author
Elise Abram, English teacher and former archaeologist, has been writing for as long as she can remember, but it wasn’t until she was asked to teach Writer’s Craft in 2001 that she began to write seriously. Her first novel, THE GUARDIAN was partially published as a Twitter novel a few summers back (and may be accessed at @RKLOGYprof). Nearly ten years after its inception Abram decided it was time to stop shopping around with traditional publication houses and publish PHASE SHIFT on her own.

Download PHASE SHIFT for the price of a tweet. Visit http://www.eliseabram.com, click on the button, tweet or Facebook about my novel and download it for FREE!

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